I'm collaborating with the Director on the screenplay for the full feature film of "The Widow-Maker" and my learning curve is nearly vertical as I switch from writer to storyteller, re-evaluating every aspect of the story and learning to tell it in a new medium. It's fascinating and I'm having a ball condensing the story into 120 pages of screen play, identifying the essential story points of Lexie's battle with the demons of her past as she matures and grows to meet the challenges of falling in love with a man who does dangerous things. I even made a pun to the Director the the motorcycle called the Widow-Maker was only the vehicle for Lexie's journey to maturity. I'm not sure how he took it because he's in Brisbane and I'm in Melbourne and the screenplay bounces back and forth between us electronically (He probably just groaned and carried on).
After sitting on my top bookshelf for a month, I took down the initial draft of "Coasting" and read it through, marking up the areas that needed re-working. The second draft is finished now and I'm working my way through it to ensure its continuity and flow.(It always amazes me how much changes between drafts)
